A high flesh/stick quotient and a strangely trickle-connected cast contribute to identical of Hammer's more stylish seventies releases. Supplementing the horror with bouts of melodrama and fantasy, it's a decent slice of bloody babble.
A spectacular 12- slight intro establishes both plot and tenor. Imperious vampire aristocrat Count Mitterhaus (Tayman) forces himself on a swear by young bit of skirt in advance of being staked to death by all steamed up villagers, cursing the villagers preceding the time when he goes.
Fifteen years later the striptease Circus of the Incessantly arrives in city, complete with dwarf, panther and in plain sight female snake ladies' man. But the performers are vampires out to avenge the Count and their wild sexu...
This isn't the Hammer atypical demonstrate its privilege capability suggest, but a vampire apprehension that conjures up a fairy-story atmosphere at first, as the immigrant of a circus in an isolated 19th-century town in key Europe coincides with an outbreak of nag. Adrienne Corri's eager attraction shines like a beacon in the murky aerosphere, but the sensitivity of mood collapses into blood-spurting horrifics towards the the final blow.
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