An uneven but compulsively watchable film which follows the lives of three men until their paths finally cross at a concentration camp at the uncommitted of the Support The human race War. Brando is the Nazi, Clift the American GI, and Martin the letter of credit-dodger who comes good at the end. An unexpected story of the combat seen from three perspectives, The Young Lions is an stuff and shocking depiction of the tramp of Hitler's victims. The troika of stars are in the know about become informed to allow the natural drift of the story to set the modify of the movie rather than imposing themselves on the material.
The Young Lions
This Second Terra Encounter potboiler, adapted by Edward Anhalt from the doorstop novel by Irwin Shaw, oozes self-importance in every scene. The action leapfrogs from Paris to America and from North Africa to Bavaria, bewitching nearly three hours to unravel. But, while the script is turgid and Edward Dmytryk's direction often slows to a crawl, the envision is an sure corker looking for three reasons: Marlon Brando as a straw-blond nice fellow, who becomes a Nazi and ends up a martyr, Montgomery Clift as a Jewish GI and Dean Martin as a afraid Broadway star who's Clift's fellow draftee. They fight over women (Wish Lange, May Britt), over principles, and overact only some of the time, as they hesitate towards a inch a descend where irony rules the period.
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