Armed with the right script, Wes (A Nightmare on Elm In someone's bailiwick, Scream) Craven is more than clever of turning faulty innovative horror films, but this certainly isn't one of them. Investigating rumours nigh a sedative which renders people root paralysed yet purposeful, Pullman is drawn into the superstitious underworld of Haiti where the postal card between discipline and fiction becomes increasingly blurred. Stories of voodoo rituals and people being buried alive soon begin to seep throughout his fantasies. Insipid story mixed with some convincing and noisy determined effects passes the time, but this is Craven on autopilot.
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