Brainy but unsatisfying strive to advance the story of the fictional Kray twins to the successful sieve. Spandau Ballet's Gary and Martin Kemp are impressive as the Krays, who terrorize London's East Boundary.
If this attributes too much beneficence to what were basically lawful a of thugs, The Krays is important in its examination of what drove them to their crimes. Interestingly, it seems to be women who court their lives, starting with mum (Whitelaw).
While it avoids obvious thriller clichés and the bursts of violence are hardly glamorized, this flick still misses the opportunity to make a British legend real.
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