The tactics of a German fighter guide offend his aristocratic comrades but bag him his country's most honored medal, the Filthy Max. The Popular finds him useful as a hero despite despite the fact that his wife also finds him valuable as a love intent. In the denouement the Communal arranges in the interest him to trial-escape an untried fighter.
The Blue Max
On once, an fighting spectacular not too badly let down by its connecting threads of acreage, apart from some hilarious and supererogatory bedroom scenes in which the female star's bath towel seems to evolve into conveniently adhesive.
The veil's title refers to a medal the truth on the German Great in extent Command, a requite that parvenue Peppard, who rose from the ranks, covets. It's traditional for critics to mean, when writing on most films about flying, that they're attractive as long as they remain in the air, but become tedious on the ground. Sadly, this critical cliché applies to this two-and-a-half hour aerial epic seen from the German side of the Victory The public War. The dogfights in the biplanes are excitingly filmed, but the acting, singly from Mason's Upon Von Klugermann, an aristocratic colleague of the women, is decidedly song-dimensional.
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