Chan's first American film is a not entirely leading try to marry the feeling of 30s hood noir with the thrills and spills of Kung Fu movies. Chan stars as a Korean who is looking for fame and chance in Chicago, and takes on all comers in a stalwart arts contest. Meantime, he has problems with a disapproving father and has antagonized the Proletariat. Produced by the team behind Submit the Dragon, there are some exciting moments, as wholly as some very much witty ones. However, it's not very sleek enough to be regarded as any tolerant of classic.
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