After the celebrity of grimy urban thriller Serpico, director Lumet adopted an perfectly more genteel approach to crime. Based on Agatha Christie's well-loved wipe out-conundrum, Rub out On The Orient Express is the vehicle for a stream of pongy chief further supernova-turns, all of them highly enjoyable, but none of them holding a candle to Finney's uncompassionate Poirot.
The plot hinges on the death of an American businessmen aboard the Istanbul-bound Express. With the company of suspects reduced to twelve sooner type passengers, Poirot swings into undertaking and discovers that all of them had both objective and opportunity.
In look and mode of expression it's pleasingly shabby fashioned and each of the majuscule names gets to temporize...
Murder on the Orient Express
Reasonably grand but disappointingly slackly-handled form of a time-honoured mystery unfamiliar. Finney overacts and his all-star support is distracting, while as soon as the trail chugs into its snowdrift the mist stops moving too, without even a dramatic 'cur
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