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Genres:
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Comedy /
Crime /
Music
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Release:
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Director:
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John Whitesell
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Actors:
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Regina Hall,
Damien Dante Wayans,
Jamie Kennedy,
Taye Diggs,
Anthony Anderson,
Blair Underwood,
Ryan O'Neal,
Bo Derek,
Jeffrey Tambor,
Kal Penn
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Duration:
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86 min.
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Rating:
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(4.8/10)95
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Plot Summary:
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Jamie Kennedy co-wrote and stars in this surprisingly tender comedy approximately keeping it real, in more ways than one. Kennedy is Brad "B-Rad" Gluckman, an aspiring gangsta rapper who lawful so happens to be the son of wealthy California governor hopeful Bill Gluckman (Ryan O'Neal). Fearful that Brad's actions is ruining Invoice's campaign, campaign manager Tom (Blair Underwood) hires two actors to render actual-life gangsters and make oneself scarce B-Rad through an eye-opening tour of the factual 'hood, scaring the "black out of him." Sean (Taye Diggs) and P.J. (Anthony Anderson) are ar... tificial to impress P.J.'s cousin, Shondra (Regina Hall), to help out with the scam, bearing in mind they're as unknowing of the ghetto as B-Rad himself. Soon, the brave is underway. But when Shondra's ex-boyfriend (Damien Dante Wayans) becomes envious of her seeming affection to go to B-Rad, he brings real bullets into the mix. As the risk plain rises, B-Rad begins to construe just how misunderstood he is. The fact he not buckles under the pressing, proving that if one stays upright to oneself, anything is doable. Supervisor John Whitesell decisively makes the swiftly from television to the well-qualify with this charming comedy, which is jam-packed with laughs and a bumping up on-hop soundtrack.
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Tags:
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Malibu's Most Wanted
In this reed comedy Jamie Kennedy takes a character from his TV sketch affectation The Jamie Kennedy Inquiry, and stretches it into a well-rounded advertise. Kennedy plays B-Rad, the unblemished loo teenager who has charmed on all the trappings of a pitch-black rap artist. His minister, a campaigning US senator, arranges for his son to be kidnapped and shown what life in the 'hood is really . B-Rad's gangsta posturing is amusing in his Malibu environment, but once transposed to the streets of LA the film becomes a motley of black urban exuberance. There's acknowledge proceeding too much artifice, and the stereotypical characters and set-ups are central to the problem. It gets tedious watching the nevertheless bygone ethnic clichés, while the redundant gags are a...
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