The crucial event in this 1850s-present melodrama is the insistence of Jezebel (Davis) on attending the debutante ball in a zeal-red put on one's Sunday best clothes when all near her are dressed in virginal ashen. (In truth it was mettle grassy, which photographed improved in mono). She is accompanied alongside the handsome Preston (Fonda), but he leaves her after the decorousness and mortification of this social (sexual) faux pas, in support of a gentler maiden. Bette suffers nobly, but when Preston is stricken by the plague she returns to the fray and, in an unforgettable scene, drives him off in the back of her buggy to Plague Island - to her correctly fervour.
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