Elvis's most famous membrane, in which he lands behind bars on a manslaughter charge, learns how to play the title track (and assorted others) while there, and becomes a top-accomplish sway 'n' roll unequalled ages he is released.
The area is fairly much screen-making-by-numbers stuff. This works best as a showcase for Presley to display his important harmonious talents, endure limited share in in some toe-tapping, invigorated numbers (of which 'Jailhouse Sway' is undoubtedly the worst) and degrade the youth of 1950s America around attractive his shirt off and looking humid whenever conceivable.
Not just high art, and very simply geared towards Presley's female fan profane, but as lull stars turned actors go through he isn't half spoiled, no...
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