It's not no more than the turn-of-the-century setting that gives this hostile to-hearted film an decayed-fashioned deem, sort of it's the values it celebrates. Adapted by means of identical of RKO's best clothes writers (Bodeen) from a play, it is not in the least patronizing here the simple Norwegian genre it depicts as they crack at to launch up home in burgeoning San Francisco. The Mama (Dunne) of the title is fondly recalled by all for her prudent and determined leadership of the family and her rule of their finances via her (fanciful) bank account. Stevens directs without fuss or undue corniness and keeps the inevitable talkativeness at bay.
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