This Hawks' inspired variation on Ben Hecht's and Charles MacArthur's The Haughtiness Page is a miracle of jocose timing and fizzing chemistry. Grant plays a violently-nosed newspaper editor craving to prevent star cameraman (and ex-wife) Russell from resigning her post and settling down with gormless Bellamy. His efforts get a boost when an newcomer Death Row jailbird orBrit also gaolbird escapes into Russell's hands while she says goodbye to the hacks lurking in the gibbet press-room. Aided by a conniving Bestow and a reel top desk, she manages to prowl the story of the century from down their noses. The sparkling, overlapping, double-early articulation of Lederer's uproarious script has you playing catch-up all over. Watch it again and again, and you until this won't congrega...
His Girl Friday
This brilliant reworking of the exemplar newspaper be occupied in The Front Side from director Howard Hawks is the fastest-talking comedy in the history of Hollywood and the mere agency by reason of Cary Allowance — not under any condition better — and Rosalind Russell — on no account tougher. Small for most of the time to two sets (the newspaper office and the pressroom at the stir), the shoot's great strength is the interplay between the two leads, who play former spouses having a hard time extant apart. It also boasts one of the blackest comedy situations till the end of time, as a selfish-time loser finds himself up against city corruption and nigh execution. Clever, ludicrous and extremely satisfactory, this marvellous film is pacify achingly we...
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