Comedy-satire on the role of women at the bring to an end of the 60s in which Snodgress is the increasingly displeased wife of replusively smug Benjamin who decides her at most luck of exuberance lies in an supplemental-marital affair. Unfortunately, she chooses to have it with essayist Langella, who is sexy as Pandemonium but slowly rveals himself to be numberless times worse than her husband. It's quirky and profoundly much of its on many occasions (the clothes are inferior and the social attitudes irritating), but boasts in the live roles two comedy nut actors working perfectly in tune. A punctilious little extraordinariness.
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