The inventiveness that so distinguished director Sam Raimi's low-budget The Evil Dead sadly seems to evaporate whenever he is given larger sums of ready money to play with. Neeson is the scientist who turns Darkman after intruders leave him for the treatment of dead in his laboratory. His sham of a synthetic skin allows him to change air, albeit no greater than briefly. Raimi doesn't look as if to know what he is aiming at, but while the film not quite works as a dramatic ensemble, the numero uno's gallop through the horror sub-genres is oddly fun, and some of the setpieces are accurately inspired.
Dr Westlake (Neeson) is on the verge of perfecting a synthetic skin which conceals disfigurements; the hard is, the...
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