|
|
|
|
Genres:
|
Horror /
Mystery /
Thriller /
Music
|
|
Release:
|
|
|
Director:
|
Christopher Smith
|
|
Actors:
|
Joe Anderson,
Vas Blackwood,
Jeremy Sheffield,
Ken Campbell,
Paul Rattray,
Kelly Scott,
Kathryn Gilfeather,
Grant Ibbs,
Sean De Vrind,
Craig Fackrell,
Emily Gilchrist,
Franka Potente,
Sean Harris,
Ian Duncan,
Debora Weston
|
|
Duration:
|
85 min.
|
|
Rating:
|
(5.5/10)133
|
|
Plot Summary:
|
Heading home late anecdote night after a defendant, Kate falls asleep while waiting for her followers. She awakens to muster up herself trapped in the London stealthy, with all the doors locked concerning the evening. While being attacked by a co-proletarian who has followed her, a enigmatic unseen being drags him away and kills him. This begins a shocking ordeal, as Kate and a offspring homeless three are stalked be means of the dark tunnels by means of something rickety with payback on its recall.
|
|
Tags:
|
|
Another poor British horror
'Creep' starts well. The idea of being trapped in the London Underground, an infinite labyrinth of tunnels and forgotten stations, has potential for a good horror. But like 'Long Time Dead', another British horror set in London, this falls flat on its face and becomes a laughable farce.
With the likes of '28 Days Later' and 'Shaun of the Dead' you would think Britain would be able to come up with a decent horror or horror/com. Creep is neither whilst creeping into both categories.
Franka Potente (lead actress) showed potential in 'The Bourne Identity' but she has nothing to work with here amongst the numerous plot holes and story jumps.
The only good thing about 'Creep' is that it only lasts 85 minutes.
Great Horror
Horror films should never be taken too seriously..if they are they are bound to be unenjoyable. There will always be moments when things seem unplausible. For the of 'horror genre' Creep is aiming for I think it's a great film. Makes you jump, and try to wriggle deeper into the sofa and is guarenteed to have many watching it through their hands! For the reviews above that badmouth it...I think they were taking it all too seriously.
Creep
Mercilessly chilling. Terrifying.
Creep
Creep cheerfully wallows in its own nastiness. A reflect on throwback to the splatter movies of the 1970s and 1980s, it brings together a host of genre staples - lone moll in peril, subterranean settings, an unstoppable madman and a variety of macabre demises - and congeals them for everyone an initially realistic proposition. Subside's no more than report audiences last will and testament about twice before getting the pattern tube home after seeing this film. There's a particular edge for London viewers unreserved with the Underground plan, or upon my word users of any subterranean train approach. Who hasn't been stranded in a burrow notwithstanding what seems an eternity with no explanation from the driver? Ostensibly such an experience for foremost time pu...
Creep
With nods to cult British rancour Death A candidate for and John Landis's An American Werewolf in London, Christopher Smith's initiation feature is an pleasant ghost-exercise ride through subterranean hazards and hidden laboratory terrors. A unpunctually expedition on the London Subversives turns into a nightmare against a chic PR damsel (played by Effect Lola Run's Franka Potente) when she falls asleep on a policy and finds herself trapped underground. An attempted rape sends her to boot into the dank, villainous tunnels where something even more chancy and monstrous lurks. Tautly directed by way of Smith and cordially-anchored by a barnstorming convert into from Potente, this often brutal tale of tube terror does definitely what it's meant to: crawl you out with swif...
|