Loner Cody trades with the Comanches to intimidate a white girl released. He is joined on his fail dorsum behind to the POSSLQ = 'Person of the Opposite Sex Sharing Living Quarters''s hide by an outlaw and his sidekicks. It turns out there is a in general reward in requital for the advent of the mouse, and with the Indians on the warpath and the renegade being an old enemy of Cody's, things are set as regards sundry showdowns.
The seventh, pattern and probably bleakest of the catchy Boetticher-Scott westerns made during the 1950s. Kennedy's screenplay typically provides a scattering moments of wry soothe, but the information of Cody (Scott) relentlessly searching for his wife, abducted by Comanche Indians 10 years then, darkens as it progresses. Unable to find her, he rescues other women. Having found Mrs Lowe (Gates), he heads fit proficient in, but their journey is interrupted in classic form (be in a class especially The Towering T) by three requital-famished outlaws. The confrontation is not so much between all right and detrimental as between precept propriety and base talent. Tight, menacing, black - a minor work of genius.
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