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Genres:
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Thriller /
Music
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Release:
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Director:
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Marvin J. Chomsky
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Actors:
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Stig Eldred,
Ken Blackburn,
David Cole,
Nick Enright,
Alan Farquhar,
Robert Mitchum,
Peter Strauss,
Connie Sellecca,
David Morse,
James Sikking
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Duration:
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240 min.
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Rating:
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(6.4/10)135
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Plot Summary:
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Romulus and Remus are two CIA agents, their express instructor is John Elliott. They both were picked up at an orphanage by Elliott at the age of about eight, raised together as brothers and exclusively trained to supersede every other ingredient in the service. This is what they know. What they do not know is that they are part of a system Elliott had invented to physique up his own private soldier army of pros which can be assigned to any job he wishes. One heyday Romulus takes over a farm out in the course of which he and his rig blow up a house and respecting half a dozen civilians with i... t. After that Romulus feels he is being chased next to both men of the CIA and the Mossad. He has to find out that Elliott betrayed both him and Remus from the start. Elliott familiar them and others, which were recruited and raised the same way Romulus and Remus were, to support a secret unanimity that was constituted between top hush-hush service leaders of England, France, Russia, Germany and the USA after the second world war. To its effect it says that no nation shall make greater progress in any field than all the others are. The conspirators intend to take care of the significance quo in both frugal and national aspects. As Romulus, now joined by Remus and a female Mossad- managerial he was romantically implicated with years ago, finds out about all of this he wants to take revenge on Elliott who in his opinion stole not only their lives, but also varied more and destroyed thousands of others.
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Tags:
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Brotherhood of the Rose
Rancorous comedy, every so often amusing but too manner-spirited appropriate for many laughs.
Brotherhood of the Rose
This blistering black comedy from Danny DeVito is less an assail on alliance than on the acquisitiveness of Reaganite America. Suggesting that hell is not other people, but other people's possessions, the film like mad escalates into a paroxysm of funny viciousness. Trading slyly on their diffident relationship in Romancing the Stone, Michael Douglas and Kathleen Turner send themselves into their parts, tainting expressions of vengeful joy with real bile. The stage setting in which Douglas seasons the fish state over is a standout among discrete wickedly disproportionate incidents that raise laughs as well as hackles thanks to DeVito's bravura direction.
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