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Genres:
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Drama /
Music
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Release:
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Director:
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John Hughes
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Actors:
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Ally Sheedy,
Paul Gleason,
Tim Gamble,
Perry Crawford,
Mary Christian,
Fran Gargano,
Mercedes Hall,
Emilio Estevez,
Anthony Michael Hall,
John Kapelos,
Judd Nelson,
Molly Ringwald
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Ron Dean
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Duration:
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97 min.
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Rating:
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(7.9/10)109.5
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Plot Summary:
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When five high school students, Andrew, John, Allison, Brian, and Claire, meet in internment Possibly man day. The chief wants them to write an essay, and they regard as they are in for a wearying 8 hours of doing nothing. At first, they indicate and resist each other, but after smoking some marijuana, they pour their hearts effectively to each other, and tell about their fears, secrets, and their deepest emotions, and problems.
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Tags:
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Breakfast Club, The
Quintessential 1980s teen fare from John Hughes, with the Brat Pack mulling over the meaning of life one Saturday morning detention
The trials of adolescence never took up more screen time than in the in mid-1980s, when the teenagers dominated film for better (Fast Times At Ridgemont High) or worse (Porky's). And as every New Wave must have its Jean-Luc Godard, so John Hughes stepped into the frame as the decade's auteur of US high school flicks that never lost sight of the humour of being a teenager, nor how serious it all seems at the time.
The Breakfast Club doesn't exactly push the parameters of filmmaking. In fact the whole thing could, and has been, transposed to the stage. It follows a group of five disparate teens as they're for...
I'm 18 years old
I didnt find this particularly exciting, rented as it had been recommended, and some of the reviews look promising. However yes i am 18 so wasnt around for this film in the 80s which might explain why it didnt appeal to me at all, didnt see what all the fuss was about. Hope that helps.
Breakfast Club, The
Complete of the high-water marks of the 1980s teenpic, this Saturday custody drama from director John Hughes has lost some of its freshness in the face of time and continuous shoddy imitations. Still this seduce-fest still rings truthfully over sufficiently to be relevant to both overgrown teenagers and the disgruntled kids of today. Brat Packers Emilio Estevez, Judd Nelson and Ally Sheedy are joined at hand teen favourite of the time, Molly Ringwald, and the underestimated Anthony Michael Entry pro a mix of justified grievances, self-pitying whinges and hard-hitting household truths. The girls patently outshine the boys, but each manages to breathe a insufficient dash into their essentially clichéd characters.
Breakfast Club, The
The trials of adolescence never took up more small screen time than in the in mid-1980s, when the teenagers dominated film representing mastery (Tightly Times At Ridgemont High) or worse (Porky's). And as every Revitalized Wave must bear its Jean-Luc Godard, so John Hughes stepped into the frame as the decade's auteur of US squiffed dogma flicks that never missing sight of the humour of being a juvenile, nor how serious it all seems at the ease. The Breakfast Club doesn't absolutely push the parameters of filmmaking. In low-down the whole clothing could, and has been, transposed to the stage. It follows a group of five disparate teens as they're forced to endure each other's company during Saturday internment. There's the jock (Estevez), ...
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