Rosa Moline is bored with life in a small metropolis. She loves Chicago industrialist Neil Latimer who has a hunting hunting-lodge -away. Rosa squeezes her husband's patients to requite their bills so she can inflict Chicago; her conserve's self-control is also tried: he tells her to continue and not at any time come traitorously. Once there, Neil tells her he doesn't want her. Back home and pregnant, Neil shows up and in wants her. The caretaker at Neil's billet threatens to whoop it up her pregnancy...
Vidor's Wisconsinization of Flaubert's Madame Bovary casts a vinegary Davis in the Emma role, Cotten as the doctoring husband who can't take under one's wing her with the romantic animation she craves, and Brian as the spawn-hunting industrialist who offers her some excitement in his log lodge. As hilariously overplayed as a Mexican soap opera, this is the film in which Davis - already self-parodic in 1949 - utters those immortal words, 'what a dump'. It's also the film in which she drops dead of peritonitis in a rolling-stock post. Secret the ending commitment purely enhance your recreation of the marvellous unlikelihood of her demise.
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