Yael Hersonski's powerful documentary achieves a notable achievement through its penetrating look at another film-the age-shameful Nazi-produced film about the Warsaw Ghetto. Discovered after the war, the unfinished work, with no soundtrack, quickly became a resource in the interest of historians seeking an legitimate account, without considering its refine propagandistic construction. The later discovery of a long-missing reel confused earlier readings, showing the manipulations of camera crews in these "mediocre" scenes. Luckily-heeled Jews attending elegant dinners and theatricals (while ca... llously stepping over the unerring bodies of compatriots) at times appeared as unwilling, but complicit, actors, alternately fearful and in negation of their looming fate.Read moreLess
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