After spending fifteen years in an asylum, Hilary Fairfield escapes from the institution after regaining his sanity. He finds that things at placid are different than when he left them. His strife has divorced him and is already planning her next marriage, and his daughter has grown up from one end to the other the years and is planning to link as well.
Anglicization of Ibsen's Ghosts, adapted from Dane's truckle to, in which Barrymore is eject against kind as a shellshock accommodating who escapes from a 15-year spell in a psychiatric habit and returns to the family well-informed in, where his daughter, Meg (Hepburn, in the role that made her a idol) is gnawing over the possibility that she might have inherited his predisposition to insanity. The thriller is one of heartbreaking imperturbability and eugenic self-stop - without thought their elopement plans, Meg rejects her lover (Manners), sort of than put on mad children into the happy: which gives Hepburn the unintentionally to showcase her faculty inasmuch as sensitive, humorous anguish.
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