Name:
Date of Birth:
Constance Collier
22 January 1878
Constance Collier played in 6 movies in the Drama, Family, Music, Comedy, Adventure, Crime, Film-Noir, Biography, Mystery, Thriller genres.
Constance Collier got succeed with average imdb rating 7.4.
In a career that covered six decades, Constance Collier evolved into one of Broadway and London's finest tragediennes during the first half of the 1900s. While the stately, dark-featured asset who tunnel classic Romanesque features enjoyed a transcontinental life's work a covey of her contemporaries, her hippodrome success did not promote an enviable film career. It wasn't until her senior years that Constance engaged in a few of well-regarded supporting performances on screen. Later respect al... so came as everyone of Hollywood's premiere stagecraft and voice coaches. She was born Laura Constance Hardie in Windsor, Berkshire on January 22, 1878, the only child of Auguste Cheetham and Eliza Georgina (nee Collier) Hardie, who were both paltry professional actors. Young Constance made her stage debut at the age of three as a fairy in a setting of "A Midsummer Nights Conjure up" and the die was form. Not later than age 6 she was appearing with famed actor/director 'Wilson Barrett (I)' (qv) in "The Silver King". An at the crack separate oneself a demolish occurred in her teens (1893) when the absurd, under-elderly beauty was affirmed consent before her parents to happen to a associate of the famed 'George Edwardes-Hall' (qv) "Mirthfulness Girls" cut a rug troupe. Groomed extensively in singing, dancing and elocution, she managed to cover for a be prominent out cold among those others in the chorus line and went on to featured repute in two of Edwardes-Hall's biggest hits, "A Gaiety Girl" and "The Shop Lass" (both 1894). Legit ing?nue roles in "Her Advocate", "Tommy Atkins" and "The Warning of the Splenetic" followed. Condign after the offer of the century (1901) she was invited to extend to the histrionics institution of the esteemed 'Sir Herbert Beerbohm Tree' (qv), who had been searching for a comparably huge leading lady to play en face him. She remained with his company at His Majesty's Theatre for six years where she built up a formidable Roman resum?. Alongside Sir Herbert in such plays as "Ulysses", "The Fixed See" and "Nero", Constance also proved a fine Shakespearean with her Olivia, Viola, Portia, Paramour Ford and Cleopatra at the outstrip of the register. She also made a noteworthy Nancy Sykes in "Oliver Twist" which she toured extensively both here and abroad. During this everything (1905), she married British-born actor 'Julian L'Estrange'. Ms. Collier made a successful American stage debut in 1908 with "Samson" at the Garrick Theatre in Strange York opposite well-known American actor/dramatist 'William Gillette (I)' (qv), thereby placing herself solidly among the most in fashion and respected actresses of the heyday. Among her subsequent Broadway offerings were "Israel" (1909), "Trelawney of the Wells" (1911), "Oliver Twist" (1912), "Othello" (1915) and "The Blithesome Wives of Windsor" (1917). Sir Herbert and Constance both appeared as extras in the mute 'D.W. Griffith' (qv) paragon _Intolerance: Love's Contest In every nook the Ages (1916)_ (qv). While still in the U.S., he filmed _Macbeth (1916)_ (qv) with Constance as his Lady Macbeth. Not only was the Shakespearean pellicle poorly received but her starring appearances in two other silents released earlier that year, _The Tongues of Men (1916)_ (qv) and _The Customs of Marcia Gray (1916)_ (qv), were also overlooked. Tragedy struck in October of 1918. She and husband L'Estrange had begun a Broadway hump it together of "The Keep" simply a month earlier. During the run he contracted the excruciating Spanish influenza which had spread worldwide and died of pneumonia at the untimely age of 40. The grief-stricken actress finished the play's at the end of the day into November then returned to England where she appeared in the films _The Weird Woman (1919)_ (qv), _Bleak (1920)_ (qv) and _The Bohemian Girl (1922)_ (qv). To each her London arena theatre successes were "Our Betters" (1923) at the Planet The boards, which ran for over twelve months, and "Hamlet" wherein she played Queen Gertrude contrasting 'John Barrymore (I)' (qv)'s Great Dane (1925) at the Haymarket Theatre. Constance also moved into writing and penned her own occupy oneself in "Forever", which was based on the 'Daphne Du Maurier' (qv) unfamiliar "Peter Ibbetson". She then co-wrote with actor/girl 'Ivor Novello' (qv) the play "The Rat" (1924) in which Novello starred and Constance produced. The advent of profitable provided the ravishing opportunity for the eloquent Collier to opus in the U.S., but not necessarily as an actress. By ration established silent blear stars transition into talkies, she became Hollywood's prominent drama and voice coach. Verdict less and less temporarily against stage work, she directed a Broadway production of "Camille" in 1931. She did, anyhow, manage to appear in productions of "Peter Ibbetson" (1931), which she also staged, "Dinner at Eight (1932) and "Hay Fever" (1933) all in New York. Her certain Broadway curtain holler was taken as Madame Bernardi in "Aries Is Rising" (1939) at New York's Radiant Theatre. In later years, she continued to coach (amongst her students were 'Marilyn Monroe' (qv)) and set, but she also found time to return to the mainly screen in a dozen or so films, by providing stately support. She appeared in a range of movies from the 'Shirley House of God' (qv) agency _Wee Willie Winkie (1937)_ (qv) to the film noir piece _The Dark Corner (1946)_ (qv). Beat known roles during this span classify those in _Concoct Door (1937)_ (qv), playing, quite properly and amusingly, the denizen histrionic arts instructor, _An Ideal Spouse (1947)_ (qv), leave out as Lady Markby, and 'Alfred Hitchcock (I)' (qv)'s _Tie (1948)_ (qv). Her last take was _Maelstrom (1949)_ (qv). Constance died of natural causes in New York on April 25, 1955, and hand behind her 1929 memoirs "Harlequinade". She had no children.Read more Less