Name:
Date of Birth:
Allen Jenkins
9 April 1900
Allen Jenkins played in 16 movies in the Crime, Drama, Film-Noir, Music, Romance, Musical, Comedy, Western, Mystery, Action genres.
Allen Jenkins got succeed with average imdb rating 6.8.
The screen's premier "humorous tough," Allen Jenkins deliberate at the American Academy of Dramatic Arts and worked several years in regional stock companies and on Broadway previously talking pictures created a demand championing his talents in Hollywood. One of his victory films was Blessed As it (1932), in which Jenkins played the part he'd originated in the dais version. This and most subsequent Allen Jenkins films were made at Warner Bros.
, where the actor made so sundry pi
... ctures that he was sometimes referred to as "the fifth Warner Brother." As brusque and pugnacious unpropitious screen as on, Jenkins was a member in proper standing of Hollywood's "Irish Mafia," a rotating band of Hibernian actors (including James Cagney, Praise O'Brien, Matt McHugh and Jimmy Gleason) who palled around incessantly. Stock but disobedient and immoral with his money, Jenkins was reduced to "B" films by the 1940s and 1950s, including occasional appearances in RKO's Falcon films and the Bowery Boys epics at Monogram; still, he was as prey as ever, and efficient of taking any sort of navy surgeon execution meted at large to his characters. TV offered not too opportunities for Jenkins in the 1950s and 1960s, notably his supporting lines on 1956's Hey Jeannie, a sitcom starring Scottish songstress Jeannie Carson, and 30 weeks' worth of voice-remaining on as Officer Dibble on the 1961 animated series Crack Cat. Going the dinner theater and summer stock direct in the 1960s, Jenkins was as wiry as ever onstage, but his eyesight had deteriorated to the prong that he had to remember where the household goods was set. Making ends see between acting jobs, Jenkins took on form as varied as tool-and-moulder making on Douglas Aircraft and selling cars for a Santa Monica exchange. Asked in 1965 how he felt about "moonlighting", Jenkins (who in his heyday had commanded $4000 per week) growled, "I go where the work is and do what the work is! Moonlighting's a fact. The rest is for the birds.
" Towards the end of his life, Jenkins was hired respecting cameo roles by directors who fondly remembered the frail but mollify feisty actor from his benediction days; joined of Jenkins' form appearances was as a telegrapher in the final scene of Billy Wilder's The Front Call out (1974).
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